top of page
Stringed Instruments -
The Kora 
African Drums

 

I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me and you can start adding your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.

African Drums 

They are usually made from wood, metal, earthenware or large gourds, which are hard-rinded fruit.They come in different shapes - tubular drums, bowl-shaped drums and friction drums. Some have one head, others have two.They come in different sizes. The bigger the drum - the lower the note. The more tension in the drum head - the higher the note produced.They are played using hands or sticks or both.They sometimes have rattling metal and jingles attached to the outside or seeds and beads placed inside the drum.They are sometimes held under the armpit or with a sling.

One of the best-known African drums is the West African djembe (pronounced zhem-bay). It is shaped like a large goblet and played with bare hands. The body is carved from a hollowed trunk and is covered in goat skin.Talking drums imitate the rhythms and intonations of speech.They are double-headed and belong to the family of hourglass-shaped pressure drums. They are played with a beater. The drums can be used to imitate speech patterns or as signals to make announcements or warnings. The pitch of the note is changed by squeezing or releasing the drum's strings with the arm.

 

Traditional African instruments

Drum ensembles

The music played by drum ensembles is very complex in rhythm and texture. The master drummer has the most elaborate part, leading the drum ensemble and playing solos. He leads the drummers by giving them musical cues in the form of rhythm patterns. He also gives cues to dancers to signal changes of tempo or steps.In drum ensembles:several different rhythms are played at the same timethe rhythm patterns interlock and overlap to form polyrhythmic patterns and exciting cross-rhythms

 

Listen to the pattern formed by the interlocking rhythms of the large talking drum, small talking drum and djembe in the piece "Yiri" as recorded by Koko.

A cross-rhythm is the effect produced when two conflicting rhythms are heard together.

 

Polyrhythm is when two or more rhythms with different pulses are heard together, eg where one drum is playing in triple time and another is playing in quadruple time, three against four.

 

Timelines

West African drumming often uses a timeline.A timeline is a short repeated rhythm which is often played by a single or double bell, eg the gonkogui, a double bell with a high note and a low note. The function of the timeline is to hold the piece together.

String instruments include various types of lute, harp and zither. One of the most well-known instruments is the kora - a long-necked African harp with many strings. The kora is often used to accompany songs of worship. Many kora players play complicated melodies at great speed.

 

Jally Kouyate - TEDEX - Performance in Euston - Youtube 

http://www.youtube.com/watch?v=KUfD5WGL3hw

Two well-known melodic instruments are the balafon and the mbira (thumb piano). The balafon is a West African xylophone - it is a pitched percussion instrument with bars made from logs or bamboo. The thumb piano is so-named because the thumbs play a series of wooden or metal tongues.

The history of the Steel Pan is linked to the African drum.  Its origins and types of rhythms were transferred, initially on Bamboo poles, used in Street parades, and the other connection is the rhythmic patterns that had interlocking beats and rhythms

This short documentary traces the Birth of Steel Pan

http://www.youtube.com/watch?v=_MNuVXFKMVc

 

Michael Perkins - Historical perspective of Steel Pans 

http://www.youtube.com/watch?v=FZIxkfTRf_k

The Africans were taken from Africa to Trinidad in the 1600's. 

Drumming was kept alive by the enslaved people. The drums were used to communicate. 

They banned skinned drums as the African were getting excited

Young boys known as 'rude boys' were the first to begin to play the pan.  

 

Women begaon to play in the 1960;s as they were more women that went to schools and brought their knowledge of music theory and practice to the steel orchestra's. Now, both women and men play Steel pan.

 

We watched and learnt about the making of a Steel Pan. Here is a short Youtube clip. Watch out, there are noisy bits!

http://www.youtube.com/watch?v=mQu5Unc_TNY

 

Here is the transofrmation of the Steel Pan from Bamboo, to Biscuit tins, The Pin pong drum and then the Steel Pan 

http://www.youtube.com/watch?v=YwdVJ94IIwI

 

Here is the stories of the Pioneers of Steel Pan and its tuning mechanisms. They are speaking in a strong accent from Trinidad and it will so we have added a transcript for all. 

http://www.youtube.com/watch?v=n3auP1RriOo

 

Bertie Marshall - A Pioneer of Steel Pan 

http://www.youtube.com/watch?v=uK2uase0FBc

 

Ellie Mannette: Father of the modern steel pan

http://www.youtube.com/watch?v=23Bp59xfAUw

 

Finally, this clip describes the Steel pan clash. The rivalry of Steel pan groups dates back to the 'rude boys era and Lord Blackie's song demonstrates it in this historical song.

http://www.youtube.com/watch?v=DeyvpBznVnA&list=PLCDDB5CB4782FE8E4

Balafon and Mbira
Steel Pan 

WORKSHOP FACILITATORS 

Brazilian 

 

bottom of page