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AIMS OF OUR PROJECT 

"Hi, My name is Iyanu. I am 16 years old and I am one of the Young Roots Project Leaders. Out of 20 young people, I have been actively involved in all aspects of our project and have benefitted from the leadership initiative that this opportuintiy has offered. There has been many areas which I have personally been involved with, including co writing of this website. So, to tell you a little more about us, I have decided to present this page from my personal perspective. I was born in the UK and reside in High Wycombe.

There has not been many opportunities for me to learn about my cultural background and when Routes & Rhythm was proposed, I eagerly joined in to be part of this exciting project"  

What is Routes & Rhythm?

Iyanu 

Project Youth Leader 

 

Routes & Rhythm is a series of workshops that explores traditional musical instruments and the connection to African culture. By looking at the instruments and interviewing the players, we were able to trace the beautiful arts and culture of African people both from Africa, Brazil, The Caribbean and today's musical explosion of Hip-Hop music and how through these instruments has seen the development of musical styles, instruments and cultural influences today.

The influence of African music is widespread. It came over to America and Europe with the African enslaved people and combined with the folk music of European settlers to produce hybrid styles of music such as blues, gospel, rhythm & blues

(R & B) and jazz to name a few. These musical forms went on to form the basis of pop music today. It was the beats of African rhythms that was synthesised with other musical styles that has such an influence on modern music today. It is the beat of Africa that we hear in hip-hop music today and these workshops helped us to understand some of the living traditions and the passage of music.

The African-derived dance styles from South American and the Caribbean - the Rumba, Samba, Conga, Mambo and Merigue were being played by African dance orchestras, and absorbed into the local music, before the Second World War. The Samba, for instance, was introduced to Nigeria by the decedants of freed Brazilian enslaved people. Merigue became the national music of Sierra Leone (a country in West Africa).      In the 50's & 60's, Calypsos, Boleros, Cha Cha Chas, became the craze. We found out that most people knew that Jazz, Blues and Latin-American music partly came from Africa, but most do not realsise that these dance styles were not only taken back to Africa, where they became incorporated into the local music scenes there, but that these local fusions then crossed back over the Atlantic. There are many early examples of these cross-overs of modern African music and its musicians. "...for instance, the Gold Coast Police Band introduced live Highlife music ( a traditional style that influences rock & roll and funky music) to England in the late 30's, during the coronation of King George the Sixth". 

HISTORICAL BACKGROUND

What we did

African musical routes is as vast as the continent. We decided to concentrate on a few areas. Drum music from West Africa. Stringed- Instruments and the Jally (Griot) tradition of Gambia and Senegal, Xylophone from Uganda, Caribbean Music Steel Pan and the modern expressions of Dub poetry and Hip Hop writing styles and productions. In addition, we visited Pitts Rivers Museum to see some old musical instruments and its cultural meanings in Heritage.(See, Pitts Rivers Museum page). We also learnt how to use digital camera's and how to interview the workshop leaders and media production. What was the best aspect for me, is being part of a team and learning more about our background. The whole experience has been great and the poem I have written below, illustrates what this project is all about.

" Routes & Rhythm our passage of music contained in instuments.

Our legacy instrinsic, rich in inventions and rich with stories.

Routes & Rhythm gave us a sense of belonging

To a rich Continent, vast and wide

A culture the European tried to divide and hide 

YET...

Though the routes of our music, stories, our people survived "

By Iyanu Ogunjobi (Young Roots Project Leader)

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